Yesterday was one of those days when sadness and inner smile collided, as the weather outside continued to play the game of ‘I cant’ make up my mind’. As the taxi took me to the Mall[...]
Like many Russians I was glued to my television set this morning, watching the annual press conference of President Vladimir Putin with the Russian and foreign press.[...]
Perfume-what does it mean to you? A memory, an emotion, an item that completes your beauty routine, before you leave your home and go out into the real world?
I grew up with the appreciation of the scent[...]
On a Saturday evening, when the world has learnt about the passing away of Boris Berezovsky, I was walking through snowy Piccadilly towards Waterstones, for an evening with a journalist[...]
London is heaving more and more with Russians and more often than not I try to escape the places where they go-not easy but soul saving, as many Russians act more annoyed or guarded when meeting each[...]
Last week my plan was to go and see Les Miserables but having watched the trailer, I decided that I will wait until it comes out on DVD and made a quick decision to book the tickets for Zero Dark Thirty, having seen Django Unchained ( Christoph Waltz & Leonardo DiCapriogive extraordinarily powerful performances, blowing you out of your socks-forgive the pun-with their humour, intelligence and unrivaled artistic skill, delivering sharp Tarantino lines ) the week before, I had a definite upper hand on the movie selection.
Zero Dark Thirty was directed by Kathryn Bigelow, an American award winning director. It tells the story of the painstaking efforts to find Osama Bin Laden. This movie could have been a soppy patriotic vehicle, instead it is a poignant, meaningful story of a CIA agent called Maya and many people whose work bears impact on the security and safety of people around the world. The movie is an honest look at how events unfolded and I left the theatre with a distinct feeling of tremendous respect and empathy for the professionals whose daily work makes our world a safer and better place. At the expense of their personal life and security, those people tirelessly and expertly piece the parts of the puzzle together, in order to solve the problem of the ever expanding terrorism networks.
Kathryn Bigelow made a movie that is honest and respectful, she assembled and directed a wonderfully complimentary to each others efforts cast (Edgar Ramirez,[...]
When I was born, my paternal grandparents were living and working in Rome, so my grandfather has been sending me cute cards weekly, until the time came for him to come to Moscow and meet me in person. And when I moved to London in my teens with my parents, as my father worked in the City, both my grandfather and grandmother wrote touching & detailed weekly letters, describing their life to me and asking me a million questions about mine-I still have them and they mean a great deal to me. It is actually one of the reasons while I prefer sending handwritten cards, thank you notes, Christmas or birthday cards-they are personal and meaningful. When I was recently approached by Honey Tree Publishing, who create illustrated and personalised stationary, I found it hard to contain my delight, because their online shop seemed like the treasure chest brimming with wonderfully exciting products.
Honey Tree Bespoke was founded in 2008 by Lizbeth Holstein & Sebastian Galbraith-Helps. The idea came about out of Lizbeth’s own frustration at finding personal thank you cards-not just plain correspondence cards or the ones where art was generated by the computer. Lizbeth started doing illustrations on plain cards for friends and colleagues and eventually the concept came into focus, backed up by the constantly expanding portfolio of Lizbeth’s own illustrations that a customer can choose from, on any type of stationary. The company retains ‘recommended illustrations’ in order not to overwhelm you with the choice-but take my word for it, you will feel very spoilt, like a child who all of sudden found himself in a candy store with noone to stop him from grabbing what he likes .) The company personally prints all orders in order to control 100% of business and you can choose artworks for 30 stationary products that Honey Tree Bespoke currently offers.
The customer base of Honey Tree Bespoke Stationers is quite variable-from babies ( when their proud parents order birth announcement cards ) to children ( when their mothers order birthday party invitations or play-date invites ) to young men and women ready to announce their entrance into the professional field ( with business cards ) or into a serious relationship with engagement/marriage announcements, to personalised stationary or household labels and gift tags.
The products that Honey Tree Bespoke Stationers offer can be divided into the following groups:
–Personalised Stationary ( business/correspondence cards, change of address, personalised invitations, premium writing paper or thank you cards etc )
–Invitations & Announcements ( you can have bespoke solutions to invitations and anniversaries, as well as baby shower invites, corporate invitations, christenings, RSVP cards or commissioned artwork etc )
–Christmas ( perfect for this time of the year, so do check the current offers and dates for Christmas correspondence cards, gift labels & tags or New Year party invitations ). At the moment you can have a 10% on your order of Christmas or New Year cards, as well as free postage and packing. There is something so charming to be able to use the design that you actually like and to have a personal message inscribed inside, not just the general wording that you get from store bought ones! Another incentive is that £1 from every pack sold is donated by Honey Tree to Maggie’s Cancer Caring Centres, really helping to fight this terrible disease that affects so many people, irrespective of their age.
The cards are available as a set or individually and include matching envelopes.
–Wedding Boutique ( bespoke studio, wedding invitations-including a free sample, order of service with ribbon & printed insert, save the date cards, hen party/stag do, name place tags etc. )
The play is directed by Frederic Fisbachand is in French ( my husband wasn’t too impressed with me, as he doesn’t speak French, but there were subtitles ) and the costumes were designed by no other than the master himself Albert Elbaz who has been taking the house of Lanvin to new heights with his every single collection-so far, so intriguing, right?
Mademoiselle Julie is a very well-known and popular play in the theatres around the world, but it was the first time that I saw it. The theatre at the Barbican is very intimate and cosy and thanks to Louise, we all sat fairly close to the stage (but not too close).
The play tells a story of the Count’s daughter, Mademoiselle Julie, who starts an affair with her father’s servant during Midsummer’s night, that leads to dire consequences. It was very cleverly adapted to our present times and the dialogue flowed so beautifully that at times I felt very intimately engrossed in what was going on before my eyes, even when some of the dialogue felt a little bit disturbing.
The adaptation of the play is not only modern, but vibrant too, even though at times the lights were too bright and the mesanscene a little confusing-in one scene you had a rabbit and a tree? (a yeti ?) standing motionless on the stage and some people in the audience tried to stifle a quiet giggle of amusement ? or bafflement…..
Juliette Binoche is absolutely mesmerising on stage-initially, in part, due to the stunning molten gold dress that she is dancing and performing in, and later, when she is dressed very casually in a jackets, top, trousers and trainers ( which feels almost as if she was stark naked on stage-just her and the audience ) when nothing can deter from the strength of her talent and her power over her audience-she is humorous, tender, nervous, hysterical….And she nails her heroine with such perfection and poignancy, that I times I felt really rattled or even disturbed by the events that unfolded before my eyes.
Her main partners on stage, Nicolas Bouchaud who plays Jean, the servant and the maid and Jean’s fiancee Kirstin ( played very touchingly and with feeling by Bénédicte Cerutti ) are absolutely fantastic and easily stand on their own or partner one of France’s biggest movie stars of today.
The pace was fast and so was the dancing, but the dialogue wasn’t hurried, you could hear every word and they resonated with their poignancy. The stage was spectacular with glass partitions that separated the rooms in the house-living room, bedroom, kitchen etc and even birch trees in the distance. The only slight discomfort was caused by the above mentioned too bright light and the need to look at the subtitles if you were a non-French speaker-my husband almost gave up at some stage and said that his eyes felt really strained.
For me theatre is a great pleasure, particularly when you don’t go to see plays weekly or at times even monthly, and this play and the actors certainly created such magic that I will definitely be reminiscing about this play and the actors, when I look back on my past cultural experiences.
I really enjoy Joseph Joseph products not just of their innovative design, but also because they can add brightness to a gloomy day, when you are stuck in[...]
I couldn’t make the actual opening ( still kicking myself for the missed opportunity to meet Cathleen in person ) but I did go to have a look at her huge and poetic photographs-there is a delicacy about her pictures ( even though they were exhibited in a fairly large size ) but they make such a strong visual impact, that you just stop and observe each one of them for what seems like ages, and time just flies by seamlessly, as you feel entranced by the beauty of her Polaroid images.
Cathleen, who was mentored by Horst P. Horst, just had her book published by Prestel, called
‘Haute Couture the polaroids of